| (Rockwell Kent's illustration, via the Plattsburg State Art Museum) |
"Each silent worshipper
seemed purposely sitting apart from the other, as if each silent grief were
insular and incommunicable. The chaplain had not yet arrived; and there these
silent islands of men and women sat steadfastly eyeing several marble tablets..."
Moby-Dick, The Chapel
I have wonderful, agreeable, intellectually curious and
kind friends. Two such souls agreed that the finest way to spend the first
Saturday of the New Year was to trek down to New Bedford and attend the New
Bedford Whaling Museum's annual Moby-Dick Marathon.
Because what could be more fun than 135 chapters, read
aloud, in 25 hours? One of these dear friends said that she was happy to go,
and happier to go with me, because it was like spending Christmas with a little
kid, such was my particular and somewhat inexplicable joy at the adventure.
(We didn't stay for the whole show. Even I, at least as of
yet, am not up to that sort of voyage.)
However, we did manage to arrive just in time for the
reading of Father Mapple's sermon at the Seaman’s Bethel. It was one of the
pieces I most wanted to hear, and—as I am unlikely to find myself on the open
ocean in a whaleboat ringed with a bower and nursery of sperm whales—one of my
best-loved scenes of the book that I can easily access.
Being slightly younger and more easily mobile than much of
the crowd attending the reading, my friends and I arrived, like Ishmael, before
the sermon began. We looked around at the tablets on the wall—my personal
favorite was one erected by the New Bedford Seafood Council and dedicated to
"Port of New Bedford Fishermen Who Died at Sea." As it is likely that
those lost at sea became seafood themselves for sharks—with their natures yet ungoberned
towards the angelic—this commemoration pleased both my dark sense of humor and
ecological justice.
As the reader-Father Mapple-impersonator strode to and then
climbed up the ship’s prow pulpit, I looked around the chapel. In most things,
my sense of reverence comes from sharing and observing. I don’t haul the ladder
up behind me to be alone with whatever is beautiful and holy—I keep doors and
eyes open and look around at all that is. In churches, I look at people
praying. At readings of beautiful books that are some sort of strangely holy
totemic text for a peculiar strain of literati, I look around at who else is
there—who are these shipmates of mine? It’s like meeting someone in the
mountains—there is a similar hue of the heart that leads people to common ground,
and even if it is unspoken, I believe in that undercurrent of connectivity
between strangers at such times and in such places.
The sweetest thing in that chapel, as a saltier take on
Jonah’s attempt to wiggle out of Destiny was delivered from the pulpit, was the
number of people who had brought their own copies of Moby-Dick and were reading along. I counted six or seven
different editions, not including e-readers and iPads. Some were frilled out
with tabs and notes, some were newer, some had woodcuts, some had covers that
looked like Jaws knockoffs, or
gilt pages, or leathered spines like Ahab or Moby’s skin, or the plastic covers
of a library book, and so on.
But for each person, the book and their own book, meant
enough to bring along to the public, communal reading.
For someone who doesn’t subscribe to any official faith, I
think a lot about the subject. I believe that we all have touchstones and talismans and any manner of
objects and rituals to keep us going. Maybe we’re all steadfast islands and
maybe we’re not, but it is in the interplay between individual and communal
that there is something beautiful I believe in.
Next year, I want to bring a camera to New Bedford and ask
to take pictures of people with their books, to learn why they brought their
own Koran to Mecca, as it were.
Perhaps there is no articulable reason, but the act alone is
beautiful enough to be noticed. And shining a little light on what we share,
bridging the distance between our own islands of being, I think that this will
in the end only make us all a little richer, as well as sweeten our own
individuality. The sheepishly joyful noise as everyone in the chapel rumbled
and shuffled our feet when instructed—becoming party to the text—makes me think
we’d be even more gleeful together.

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